John Landis has a net worth of
$70 Million

A Brief Overview of John Landis

John Landis was born on August 3, 1950, in Chicago, Illinois, USA. He is recognized as a Primetime Emmy Award-winning director, producer, screenwriter, and actor. Landis is famed for directing acclaimed movies like “The Blues Brothers” (1980), “An American Werewolf in London” (1981), “Trading Places” (1983), and “Coming to America” (1988). Notably, he also created the iconic music video for Michael Jackson’s “Thriller”. His journey in the entertainment industry commenced in 1969.

Curious about John Landis’ financial standing? As of early 2017, it is estimated that his net worth stands at an impressive $70 million. This wealth has been amassed through his prosperous career spanning various roles such as director, producer, actor, and screenwriter.

John Landis Net Worth $70 Million

John Landis was born to Shirley Levine and Marshall Landis. His childhood was spent in a Jewish household in California, where his family relocated when he was just four months old.

His professional journey kickstarted as an assistant director on the set of “Kelly’s Heroes” while filming in Yugoslavia back in 1969. In 1973, Landis both directed and starred in “Schlock”. By the late 1970s, he had delivered hits like “The Kentucky Fried Movie” (1977) and “Animal House” (1978) featuring John Belushi, Karen Allen, and Tom Hulce. The year 1980 marked another milestone for Landis as he directed and co-wrote the immensely successful “The Blues Brothers” (1980) alongside John Belushi and Dan Aykroyd. The film grossed over $110 million worldwide, significantly boosting his net worth. The subsequent year, Landis helmed the Oscar-winning horror flick “An American Werewolf in London” starring David Naughton, Jenny Agutter, and Joe Belcher, which raked in over $60 million at the box office.

In a tragic turn of events in July 1982, an accident during the filming of “Twilight Zone: The Movie” led to the demise of actor Vic Morrow and two child extras due to a helicopter mishap. Landis faced charges of involuntary manslaughter, although he was acquitted in 1987. The movie was eventually released in 1983, and the same year saw Landis directing the acclaimed “Trading Places” with Eddie Murphy and Dan Aykroyd, a major hit grossing over $90 million in the US alone. Subsequent projects included “Into the Night” (1985) with Jeff Goldblum and Michelle Pfeiffer. By the close of the 1980s, Landis had directed movies like “Spies Like Us” (1985) starring Chevy Chase and Dan Aykroyd, “¡Three Amigos!” (1986) with Steve Martin, Chevy Chase, and Martin Short, and the Oscar-nominated “Coming to America” (1988) featuring Eddie Murphy, Arsenio Hall, and James Earl Jones. This film, with a budget of approximately $40 million, garnered over $288 million globally, emerging as Landis’ most successful project to date.

In the early 1990s, Landis worked on films like “Oscar” (1991) starring Sylvester Stallone and “Innocent Blood” (1992) with Anne Parillaud, Anthony LaPaglia, and Robert Loggia. He also directed 17 episodes of the Primetime Emmy Award-winning series “Dream On” from 1990 to 1996. His 1994 venture was “Beverly Hills Cop III” starring Eddie Murphy. Throughout the late 1990s and 2000s, Landis focused on short films, music videos, and television series, with his latest movie being “Burke and Hare” (2010) featuring Bill Bailey, Tom Wilkinson, and Michael Smiley. Additionally, Landis has accumulated over 40 acting credits and has contributed as a producer on 30 projects, further augmenting his financial well-being.

In his personal life, Landis tied the knot with Deborah Nadoolman in July 1980, with whom he shares two children. The family presently resides in Beverly Hills, California. While raised in a Jewish family, John Landis identifies as an atheist.



  • Structural Info
  • Trademarks
  • Quotes
  • Facts
  • Pictures
  • Filmography
  • Awards
Full NameJohn Landis
Net Worth$70 Million
Date Of BirthAugust 3, 1950
Place Of BirthChicago, Illinois, U.S.
ProfessionFilm director
NationalityAmerican
SpouseDeborah Nadoolman Landis
ChildrenMax Landis, Rachel Landis
ParentsMarshall Landis, Shirley Levine Landis
IMDBhttp://www.imdb.com/name/nm0000484/
AwardsPrimetime Emmy Award for Outstanding Variety, Music or Comedy Special
NominationsVenezia Classici Award for Best Restored Film
MoviesAn American Werewolf in London, The Blues Brothers, Animal House, Trading Places, Twilight Zone: The Movie, Coming to America, ¡Three Amigos!, The Kentucky Fried Movie, Burke & Hare, Into the Night, Blues Brothers 2000, Innocent Blood, Spies Like Us, Beverly Hills Cop III, Schlock, The Stupids, Ama…
TV ShowsEek! The Cat

John Landis, a well-known filmmaker, has shared his thoughts and experiences on various movies throughout his career. Let’s delve into some captivating quotes from the director:

1. “(On The 7th Voyage of Sinbad) The reason it changed my life, and it really did-I had complete suspension of disbelief. Really, I was eight years old, and it transported me. I was on that beach running from that dragon, fighting that Cyclops. It just really dazzled me and I bought it completely. All my energy and efforts were to be a filmmaker, and it was because of that film.”

2. “I still think that The Exorcist (1973) is the scariest movie I ever saw. However, I have never walked away from a movie uneasy – I’ve been creeped out during the movie, but once I leave the cinema, it’s more about my next meal.”

3. “The new versions of The Texas Chainsaw Massacre (2003) and The Last House on the Left (2009) looked like shampoo commercials.”

4. “[on Blues Brothers 2000 (1998)] I never had that experience before, where committees are telling me what they’re going to do. What I should have done is quit, but instead – out of loyalty to Danny [Aykroyd] – I finished the movie. We had fabulous music – I’m proud of the music – but by the time we were shooting, the movie was messed up.”

5. “[on the death of Michael Jackson] I was lucky enough to know and work with Michael Jackson in his prime. Michael was an extraordinary talent and a truly great international star. He had a troubled and complicated life and despite his gifts, remains a tragic figure. My wife Deborah and I will always have great affection for him.”

6. “I always loved those 1960s films and the things Richard Lester had done with The Beatles, and I conceived An American Werewolf in London (1981) with that spirit in mind. London was horror central, of course, home of Jack the Ripper, Jekyll and Hyde, so I wanted all that Victorian Gothic, but I also wanted to show the real London of 1981.”

7. “On working with Eddie Murphy in Coming to America (1988): Eddie is an immensely overpowering talent. But if you can imagine a nuclear plant, that energy is productive as long as it’s contained. And if Eddie’s not contained, he’s gonna blow.”

8. “[on superstars] I’ve worked with Paul McCartney, and Michael Jackson, and The Blues Brothers, and David Bowie, and a lot of people that have gone through that experience, and man I think it’s difficult to remain sane under those circumstances. When you see what happened to Elvis Presley – I mean, I understand it, but with that level of stardom, and that level of celebrity, it’s a miracle if you can make it through it with any sense of sanity after that.”

9. “The Thing (1982) is a terrific movie, probably John Carpenter’s best.”

10. “See American Werewolf (In London) is not a comedy. People keep calling it a comedy, it’s very funny I hope, but it is a horror film. We meet these guys in a truckload of sheep. This is not subtle. I mean these boys are dead by the end of the movie. That’s not really a happy tale.”

These quotes offer a glimpse into John Landis’s perspective on filmmaking and the industry as a whole.The title appears on the marquee of a pornographic theater in “An American Werewolf in London” (1981), is spoken in German in a scene directed by Vic Morrow for “Twilight Zone: The Movie” (1983) when Morrow’s character is under fire, and is found on a billboard in “The Blues Brothers” (1980) where police officers lie in wait. However, it is most commonly seen on movie posters throughout John Landis’s films, akin to Alfred Hitchcock’s famous cameos. It made its first appearance in Landis’s debut film “Schlock” (1973) as the title of a movie and as a poster in a theater lobby. The title reappears in his second film “The Kentucky Fried Movie” (1977) as the name of a movie featured in a “Feel-O-Rama” segment. In “Trading Places” (1983), it is spotted on a movie poster in an apartment and in “Coming to America” (1988), it is displayed in a subway station. Additionally, the title can be seen on a recruitment poster in the background of the army training post commander’s office in “Spies Like Us” (1985). It also makes an appearance in “Into the Night” (1985) on posters in an office, in the vicinity of a car crash and a dancing bar in “Innocent Blood” (1992), and in a Michael Jackson music video, “Thriller” (1983), which Landis directed. It is read out loud by a character in pursuit of a werewolf while MJ’s character is seen enjoying popcorn in a theater in the video.In the television series category, John Landis directed an episode of “TV Series 1” in 2004 named “Slasher,” as well as two episodes from 2005 to 2006 in “Masters of Horror.” Additionally, he worked on “The Great Sketch Experiment” in 2006, and directed the TV Movie documentary “Honey, I Shrunk the Kids” in 1999.

For the documentary and music video directorial roles, Landis was involved in productions such as “The McCartney Years” in 2007 and a video documentary titled “Michael Jackson: Number Ones” in 2003 which featured music videos like “Thriller” and “Black or White.” In 1997, he directed the video “Thriller” for “Michael Jackson: HIStory on Film – Volume II.”

In terms of his acting career, Landis portrayed various characters in different productions. For instance, in the movie “Tales of Halloween” released in 2015, he played Jebediah Rex in the segment named “The Ransom of Rusty Rex.” In “Attack of the 50 Foot Cheerleader” from 2012, Landis assumed the role of Professor.

Landis had numerous miscellaneous roles throughout his career, including serving as an executive consultant for 38 episodes of the TV series “Sliders” from 1996 to 1997. He also worked as a production assistant on the film “Kelly’s Heroes” in 1970, though uncredited.

As a writer, Landis showcased his talent in various projects. His screenplay for the iconic movie “An American Werewolf in London” was announced in 1981. He also contributed as a writer in productions such as the TV series “Masters of Horror,” a film titled “Susan’s Plan” in 1998, and the documentary “Clue” in 1985.

Stunts

#Trademark
1On YouTube’s Trailers from Hell channel, always introduces himself with a joke name, while his actual name appears at the foot of the screen (“Hi, I’m First Lady Michelle Obama, and this is Trailers from Hell”).
2Often collaborates with makeup artist Rick Baker ((Schlock (1973), An American Werewolf in London (1981), Coming to America (1988), Michael Jackson: Thriller (1983))
3Displays full song performances in his films (examples: Animal House (1978), The Blues Brothers (1980), Coming to America (1988), Blues Brothers 2000 (1998)).
4Regularly partners with Dan Aykroyd
5Incorporates characters making eye contact with the audience in his work
6Includes clips of cast members during the end credits
7Features a large gorilla image, often King Kong, in his films.
8Cast Stephen Bishop as “Charming Guy” frequently in his productions
9Regularly casts other directors and filmmakers in minor roles
10Signature music: ‘The Girl from Ipanema’
11Includes airport scenes with a call over the PA system for a ‘Mr Frank Ozkerwitz’, which is actually Frank Oz’s real name, in films like Into the Night (1985) and Coming to America (1988). Landis often collaborates with Oz.
12The phrase “See You Next Wednesday”. Supposedly, the phrase is the title of a film that Landis had an idea for at the age of 15. The title is a direct reference to a line in 2001: A Space Odyssey (1968). He describes the film as the kind of movie that a 15-year-old adolescent boy would have made. He sometimes integrates ideas from this envisioned movie, and when he does, he includes the phrase as well.
TitleYearStatusCharacter
An American Werewolf in London1981stunts – uncredited
My Name Is Nobody1973stunts – uncredited
Chato’s Land1972stunts – uncredited
Once Upon a Time in the West1968stunt performer – uncredited
The Charge of the Light Brigade1968stunt performer – uncredited
The Good, the Bad and the Ugly1966stunt performer – uncredited

Soundtrack

TitleYearStatusCharacter
Blues Brothers 20001998lyrics: “John The Revelator”
Schlock1973lyrics: “See You Next Wednesday”

Assistant Director

TitleYearStatusCharacter
Kelly’s Heroes1970assistant director – uncredited

Music Department

TitleYearStatusCharacter
Blues Brothers 20001998executive music producer

Thanks


TitleYearStatusCharacter
Mexican Thriller2016Short thanks

Self


TitleYearStatusCharacter
The Stories Behind the Making of ‘The Blues Brothers’1998Video documentaryHimself
MovieYearTypeRole
Horror at the Movies1992TV Movie documentaryHimself
The Horror Hall of Fame1990TV Movie documentaryHimself – Presenter
Entertainment Tonight1990TV Series
Stand-up Comics Take a Stand1988TV Special documentaryHimself
Stephen King’s World of Horror1986TV Movie documentaryHimself
B.B. King: Into the Night1985Video documentary shortHimself / SAVAK
1st Annual MTV Video Music Awards1984TV SpecialHimself
Trading Places: Industry Promotional for ShoWest1983Video shortHimself
Trading Places: Trading Stories1983Video shortHimself
The Making of ‘Thriller’1983Video documentaryHimself
Take One: Fear on Film1982TV MovieHimself
Behind the Scenes: ‘An American Werewolf in London’1981TV Short documentaryHimself
Fantasy Film Festival1979TV SeriesHimself
Good Morning America1978TV SeriesHimself
The Tonight Show Starring Johnny Carson1972TV SeriesHimself
The T.A.M.I. Show1964DocumentaryHimself – Audience Member (uncredited)
Making Apes: The Artists Who Changed Film2018Documentary filmingHimself
How 2 Make a Film: Billion $ Weekend2015Documentary completedHimself
How to Sell a FilmDocumentary filmingHimself
Into the Dark: Exploring the Horror FilmDocumentary post-productionHimself
King Cohen: The Wild World of Filmmaker Larry CohenDocumentary post-productionHimself
Resurrecting Doug DunningDocumentary post-production
Días de cine2016TV SeriesHimself
Sidemen: Long Road to Glory2016DocumentaryHimself
Le complexe de Frankenstein2015DocumentaryHimself
The 1st Annual Carney Awards2015Himself – Presenter
In Their Own Words2015TV SeriesHimself – Friend & Filmmaker
DRUNK STONED BRILLIANT DEAD: The Story of the National Lampoon2015DocumentaryHimself / Film Director
Out of Print2014/IDocumentaryHimself
The Real History of Science Fiction2014TV Mini-Series documentaryHimself
Greatest Ever Christmas Movies2013TV Movie documentaryHimself
Vanity Fair: Decades2013TV Mini-Series documentary short
Trespassing Bergman2013DocumentaryHimself

“Warmth: The Don Rickles Project” was released in 2007 as a documentary featuring Don Rickles as Himself and Sister Rosa Stigmata. The same year, Rickles appeared in various TV shows and documentaries like “British Film Forever,” “TV Land Confidential,” and “The Return of the Living Dead: The Decade of Darkness.”His role as Himself was also seen in video shorts such as “Composing America: The Musical Talents of Nile Rodgers” and “The Trade in ‘Trading Places’.” In 2006, he appeared in a video documentary short called “Amazing! Exploring the Far Reaches of Forbidden Planet” and a TV movie titled “Greatest Ever Comedy Movies.”Guest appearances included “The Tonight Show with Jay Leno” and “The Late Late Show with Craig Ferguson” in 2006. He was also featured in documentaries like “The Sci-Fi Boys,” “Edgar G. Ulmer – The Man Off-screen,” and “Monster by Moonlight! The Immortal Saga of ‘The Wolf Man’.”

In 2003, Rickles was in “The 100 Greatest Musicals” TV movie documentary and “The 100 Scariest Movie Moments” TV movie documentary. His diverse contributions to the entertainment industry were evident through appearances in shows like “Dinner for Five,” “VH-1 Behind the Movie,” and “It’s Black Entertainment.”Rickles’ impact on films and TV is also showcased in archive footage such as “Welcome to the Basement” TV series in 2014 and “Michael Jackson” TV movie documentary in 2009. His iconic presence was also captured in various TV series and documentaries over the years.

Name: Leonard WinesopShow: Joe Bob’s Drive-In TheaterYear: 1993Type: TV SeriesRole: Dr. Edwards

Achievements

YearAwardCeremonyNominationProject
2015Golden Unicorn for Career AchievementAmiens International Film Festival
2010Career AwardMonte-Carlo Comedy Film Festival
2008Primetime EmmyPrimetime Emmy AwardsOutstanding Variety, Music or Comedy SpecialMr. Warmth: The Don Rickles Project (2007)
2004Copper Wing Tribute AwardPhoenix Film Festival
2004Time-Machine Honorary AwardSitges – Catalonian International Film Festival
1992CableACECableACE AwardsComedy SeriesDream On (1990)
1985Special Jury PrizeCognac Festival du Film PolicierInto the Night (1985)
1982Best FilmFantafestivalSchlock (1973)

Nominations

YearAwardCeremonyNominationProject
1997Razzie AwardRazzie AwardsWorst DirectorThe Stupids (1996)
1995CableACECableACE AwardsComedy SeriesDream On (1990)
1995CableACECableACE AwardsDirecting a Comedy SeriesDream On (1990)
1995CableACECableACE AwardsComedy SeriesDream On (1990)
1995CableACECableACE AwardsDirecting a Comedy SeriesDream On (1990)
1995Razzie AwardRazzie AwardsWorst DirectorBeverly Hills Cop III (1994)
1994CableACECableACE AwardsComedy SeriesDream On (1990)
1993CableACECableACE AwardsComedy SeriesDream On (1990)
1992Razzie AwardRazzie AwardsWorst DirectorOscar (1991)
1991ACECableACE AwardsComedy SeriesDream On (1990)
1984ACECableACE AwardsDocumentary SpecialThe Making of ‘Thriller’ (1983)
1984International Fantasy Film AwardFantasportoBest FilmTwilight Zone: The Movie (1983)
1984Silver RibbonItalian National Syndicate of Film JournalistsBest Foreign DirectorTrading Places (1983)
1982Saturn AwardAcademy of Science Fiction, Fantasy & Horror Films, USABest WritingAn American Werewolf in London (1981)

ncG1vNJzZmimlazAr7vWp6CgnaKerm%2B6xmiYm6elqXqru8enZKWZnpm2tHnNnqtmr5%2Bnwal7